What you approve on paper is what you see on screen

Cinematic motion films for heritage sites, museums and companies; voice-over in Arabic and its dialects; and a sonic identity for your brand.

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A voice artist recording at a studio microphone

Cinematic motion

Why it's different: we show visitors what was never filmed: a place a hundred years ago, a lost craft, a product before it exists.

From paper to screen: our stages

  1. Script breakdown: scene by scene, so every line has a picture.
  2. Mood board: places, characters and colours, fixed early.
  3. Style frames: four frames at final quality, so you approve the feel first.
  4. Storyboard: the whole film in consistent drawings.
  5. Animatic: the drawings with real sound and timing, so the length is right before production.
  6. Look test: the same shot made more than one way; we keep the most accurate.
  7. Review: every frame is checked, and anything wrong is redone.
  8. Final film: with voice, music and mastered sound levels.
  9. Cover: a still in the story's own identity.
  10. Delivery: a full pack: master file, subtitles, cover, stills and a delivery note.

From our work

  • A sample for a visitor centre about a historic mud-brick town, where the town wall moves from past to present in a single shot.
  • From sketch to shot · a shot we rejected, and why · four versions, one chosen.

Voice

How we work:

  • Every Arabic word is vowelled before recording, so the text is read exactly as written.
  • A listening sheet with every delivery: each word that could be misread, where it falls in the file, and how it should sound.
  • One dialect per piece: Modern Standard Arabic, Saudi or Egyptian.
  • We never clone anyone's voice without their written consent for that use. Voice library: choose a use and a dialect, then listen.

Sonic identity

A short sound logo for your brand and a set of interface sounds, built on the same idea everywhere. Ours is "levels": three rising notes and two taps.

Questions

How long does a film take?
It depends on length and stages. We start with a short sample at final delivery quality, then set the full timeline in the proposal.
Can we change the film after production?
Changes belong in the paper and animatic stages, before production. That's why there are few surprises at the end.
Which languages do you deliver in?
Arabic, with subtitles. Other languages can be added for subtitles and voice-over.

Request a proposal for your film

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With country code, e.g. 9665xxxxxxxx or 2010xxxxxxxx

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